CV
PUBLICATIONS
- Zine R.A.C.K Issue 2#: Disability & Sex, Illustration (April 2025)
- CBC Comic: My disability makes my body feel unpredictable (July 2023)
- Smutburger Poster Commission (July 2023)
- Arc Poetry Poster Commission (December 2022)
- The Disability Justice Issue. Illustration. Briarpatch Magazine Illustration (September 2022)
- Arc Poetry: Back Cover (August 2023)
- BEHIVES BuzzZine 2# (December 2022)
- Brownies Zine (2022), Email: [email protected] to purchase
- “Affirm, Honour, Express.” LGBT Youthline Zine (2022)
- Apathy is Boring Issue 1#: Illustration (2022)
- Wishbone Words, Issue 4#: Illustration (2022)
- The Feminist Word (The F-Word) magazine, 9th Edition (2022)
- “To Sew or Not to Sew, that is the Question”, Photo Essay, Vol.2: Rebirth, Femme and Dandy (2022)
- Unity: Race & Mental Health Guidebook, 2022, Helping Hands
- Ottawa Inshallah Anthology, curated by Aquil Virani (2021)
- Power: Kiwi Collective Magazine Issue 2#, Kiwi Collective, Illustration, August 2021
- Strolling, Roaming, Wandering & Straying ( a zine about sexual harassment), Bite Back Distro, Illustration, April 2021, UK
- SICK Magazine Issue 3#, Interview about living with disabilities in Issue 3#, Written by Sukhjeen Kaufman, August 2021
- Maythorn Issue, 2021
- Brain and Mental Health Group Art Showcase 2025,May 3rd 2025, Glebe Community Centre
- Potency Group Exhibition, October 2024, The Niche Gallery
- Transcending Technology, eQuality Exhibition, September – December 2022 , Ottawa Art Gallery (OAG), Ottawa, ON
- MAC_CAM: Art + Summer Showcase, Shenkman Arts Center, Ottawa, ON (April 2022)
- The Digital Bonafide Exhibition, The Niche Gallery, Ottawa, ON (2022)
- Perspectives by Fae Kilburn, Collaboration, The Quarter Contemporary Space, UK (2021)
- DIS/PLAY: Reel Abilities Festival, Toronto, ON (2021)
- heart of healthCARE Online Exhibit — Illustration (Digital) 2021
- Disclosures: A Virtual Pride Art Exhibition, Carleton University Art Gallery (Digital)
Artist Statement
I create art to build the world I want to live in. A world that sees the inherent beauty in objects, people and ideas. I want people to view disabled folks as beautiful and valuable in all their complexity.
Specifically, I want to showcase South Asian disabled folks outside of the poverty-stricken images often seen in mainstream media. The only time disabled POC are shown, it’s either for tokenism or international NGOs who use our images as pity porn for their promotions.
My goal is to create artwork of disabled South Asians outside of the white colonial gaze. This is primarily done through extensive research in art history. I use portraiture techniques created by South Asians prior to colonization (pre-1870s) as way to override the white gaze.
That means creating art with heavy ornamentation, detail and depth. It means creating artwork of South Asians as they see themselves. As I see myself.
I use the term “South Asian” art, because the region I was born in, focuses primarily on realism, which is not my interest. So I’ve done research on other regions’ techniques surrounding portraits to inform my practice. Much of my work is inspired by art coming from Nepal to Southern India.
I am well aware that overgeneralizing the term “South Asian” can be used as ‘erasure’ and ‘exploitative’ and I am aware of the immense diversity of the region. Therefore I will state here clearly, my work is not traditional and I will never say that it is. The materials I use are all modern and do not adhere to any specific traditional craft. I am simply a remixer of the old and new, I find beauty in both.
Through research of art history, I am embarking on my quest to see the world and myself as I’ve always imagined it to be, a glittery flittering butterfly among chaos.